![]() ![]() The Aladdin Broadway production also incorporates a dazzling total of 84 illusions and effects, with the awe-inspiring magic carpet ride during "A Whole New World" arguably its crowning jewel. The production was nominated for five Tony Awards including Best Musical.Īladdin features a score by Alan Menken, incorporating the movie's music including "Arabian Nights," "Prince Ali," and the show-stopping "Friend Like Me." There's also new material as well as songs that were cut from the film, such as Aladdin's poignant ballad "Proud of Your Boy." ![]() The Aladdin movie is one of the cornerstones of what would become known as the Disney Renaissance Era, a period of time which restored Disney's animation division to its former glory of creating successful animated musicals.Īladdin on Broadway officially opened in 2014 at the New Amsterdam Theatre, the home base of Disney on Broadway that has also housed musicals like Mary Poppins and The Lion King (before that show moved to the Minskoff). Aladdin becomes one with the help of a wish-granting Genie in a magic lamp, but before he and Jasmine can be together, he must defeat the evil Jafar, who wants Jasmine and the throne for himself. Though she loves him too, royal rules state that she must marry a prince. Get Aladdin tickets now and experience the magic and wonder of this timeless Disney story that's granted audience's wishes for fun since 2014.īased on the much-loved 1992 animated classic, the Aladdin musical follows the title street urchin as he tries to win over Princess Jasmine. Tickets: $45-$241 (subject to change) 88, on Broadway takes audiences to a whole new world. ![]() Running time: Two hours and 30 minutes, one intermission ![]() Where: Orpheum Theatre, 1192 Market St., San Francisco It may be bad form to expect depth from a fairy tale but a little more texture in the score and the book might have made “Aladdin” glow on the inside as well as the outside.īy Alan Menken, Howard Ashman, Tim Rice and Chad Beguelin, based on the Disney film, presented by Disney Theatrical Productions and SHN When you hear nods to “Beauty” it reminds you how much catchier those tunes were. Only “A Whole New World” is at all memorable. Get it from the Apple app store or the Google Play store.Īs in “Something’s Rotten!,” Nicholaw has a knack for in-jokes that wink and nod to everything from “Beauty and the Beast” to “The Price is Right.” These kitschy asides keep spirits bright through some saggy patches, including the endless entourage antics, the cliche evil villain sequences and an unnecessary detour into “Dancing with the Scimitar.”Īnd yet, the first act stretches on too long, given the thinness of the score (music by Alan Menken, lyrics by Howard Ashman, Tim Rice and Beguelin). Reading this on your phone? Stay up to date with our free mobile app. Along the way there’s a Vegas headliner-style Genie (the shamelessly hammy Anthony Murphy), a desperate to suck-up minion named Iago (Reggie De Leon) and a treasure chest full of gorgeous harem haute couture (designed by Gregg Barnes). And it’s a nicely orchestrated rug ride amid a star-filled night sky at that. Together these crazy kids battle the plans of the dastardly Jafar (Jonathan Weir, coming across as a snide sort of Uncle Scar in human form), match wits with supernatural forces and ride the magic carpet to a happy ending. If this critic had three wishes, one would be that they’d paid as much attention to detail with the characters (book by Chad Beguelin) as with the sets and costumes. But despite the genuine charisma between these two actors, the unfolding of their romance feels a bit pat. The actor, who originated the role on Broadway, makes a suitably dashing Aladdin (his BFFs call him Ali), the bare-chested street urchin destined for greatness, and Isabelle McCalla makes the pampered Princess Jasmine appropriately sweet and sassy. Like our Facebook page for more conversation and news coverage from San Jose, the Bay Area and beyond.īob Crowley’s richly adorned set design, from the sun-drenched marketplace to the bedazzling cave of wonders, often upstages the performers such, including the fresh-faced Bay Area native Adam Jacobs in the title role. But it’s hard to lure the genie from the bottle with this cookie-cutter fable and its formulaic plot - based on the hit animated film - an amiable but forgettable score and generic performances. Make no mistake, this is a visually ravishing feast of swirling silks, shining sequins and high-flying knife-eaters, choreographed within an inch of its life by Casey Nicholaw (“The Book of Mormon”) who also directs. Disney really put the magic touches on the eye-popping “The Lion King” but it can’t quite recapture that enchantment in the far less mesmerizing “Aladdin.” ![]()
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